In conjunction with L’École supérieure d’art et de design d’Amiens (esad), the Centre for Printing History & Culture (cphc) is organising a two-day international conference which aims to review and reassess the relationship between Baskerville—the man and the typeface—and France and the French.
a retrospective look at over one hundred years of print design in Egypt.
The event is FREE of charge but booking is essential. Reserve a ticket here.
Sarah Boris will talk us through her journey, from studying type design in Paris to establishing herself as a designer specialised in branding and editorial design and collaborating with people in the arts and culture fields. She will share the hurdles she encountered on her journey: from landing her dream job to her pursuit of a good work-life balance and her quest for the ideal work environment.
After working for over ten years with world-leading arts organisations and publishers such as Phaidon, The Institute of Contemporary Arts (London), Barbican, Sarah Boris set up her design studio in March 2015. Clients include The Photographers' Gallery, Tate, Christie’s, Thames & Hudson, Laurence King, Gasworks to name a few. Projects include art direction, visual identities, books, magazines, exhibition graphics, signage and websites. One of her most notable projects was the redesign of the ICA's visual identity. In parallel to her design practice, Sarah has developed a body of self-initiated works mainly in the form of screenprints. Her work has been acquired by the Stedelijk Museum, Amsterdam and exhibited at the Design Museum in London.
She taught at LCC, and the Cass School of Architecture and Design She has also given talks at It's Nice That, D&AD. Grafik as well as design festivals in France (Une Saison Graphique) and in Holland (Graphic Matters). She was Judge Foreman / President for D&AD Professional Awards and sat on the jury of several other awards such as Design Week Awards. She graduated from the MA Typo/Graphic Studies in 2004 at LCC (then known as LCP).
*Please note this talk start time is subject to change to 6 pm. Start time to be confirmed asap
This two-day international conference aims to review and reassess the contribution made by women to printing and print culture from its origins to the present day.
In conjunction with CPHC, Print Networks is organising a one-day conference that will consider the design, production and distribution of ‘industrial and business publishing’.
Two-day conference, from Thursday 28 – Friday 29 June 2018, to be held at Birmingham City University, Birmingham, UK
The University of Birmingham’s Arts & Science Festival is a week-long celebration of research, culture and collaboration across campus and beyond. It is is an opportunity for curious minds to delve into new thinking from leading academics.
Edited by Caroline Archer-Parré and Malcolm Dick, and published by Liverpool University Press, this is the first book to be published on the Birmingham printer for over forty years. It places Baskerville within his local, national and global context as a figure of the eighteenth-century Enlightenment.
This will be an informal event to launch the book and will include a talk by Susan Whyman, podcast and radio boradcast. All are welcome to join us and bring festive nibbles and refreshments, including wine or soft drinks, if you wish.
Call for papers for a two-day conference, from Thursday 28 – Friday 29 June 2018, to be held at Birmingham City University, Birmingham, UK
The Baskerville Society is delighted to announce that its next event will be a vist to the Chained Library at Wells Cathedral, Somerset.
The Centre for Printing History & Culture, in conjunction with the Printing Historical Society and the National Print Museum.
Print culture, popular readership and the emergence of a genre in colonial Lagos
Phil Abel provides a glimpse in the the year in the life of Hand & Eye Letterpress.